STORY
A STUDY IN CONTRASTS, JOHAN CHALLENGES THE BOUNDARY BETWEEN STILLNESS AND MOVEMENT, DRAWING INSPIRATION FROM ARCHITECTURAL THEORY AND SCULPTURAL FORM, PARTICULARLY THE CONCEPT OF “STATIC MOTION.” THIS PARADOXICAL IDEA BECAME THE DRIVING FORCE BEHIND THE DESIGN. JOHAN CHALLENGES OUR PERCEPTION AND INVITES CONTEMPLATION ON HOW STILLNESS CAN EVOKE DYNAMISM.
THROUGH CAREFUL STUDY OF ARCHITECTURAL MASTERPIECES, INCLUDING THE WORKS OF LE CORBUSIER AND VALERIO OLGIATI, THEODORE DISTILLED THE ESSENCE OF STATIC MOTION INTO A FORM THAT IS BOTH SIMPLE AND RADICAL. THE CHAIR’S LINES AND ANGLES ARE METICULOUSLY CALCULATED TO CREATE A SENSE OF MOVEMENT, EVEN AS IT REMAINS FIRMLY GROUNDED. ITS SHAPE IS AT ONCE COMMANDING AND FLUID, ACHIEVING A BALANCE BETWEEN STRENGTH AND GRACE.
THE ARMCHAIR’S PRESENCE IS CAPTIVATING, WHETHER IT STANDS ALONE AS A STATEMENT PIECE OR IN A SERIES, WHERE THE REPETITION OF ITS FORM AMPLIFIES THE SENSATION OF MOTION.
DETAILS
COLLECTIONKLIRONOMIA
YEAR 2024
DIMENSIONSHEIGHT: 65 CM / 25.6 IN
WIDTH: 125 CM / 49.2 IN
DEPTH: 62 CM / 24.4 IN
SEATING HEIGHT: 30 CM / 11.8 IN
FABRICSHOWN IN VELVET
FURTHER INFORMATIONCUSTOM SIZE OR FABRIC ON REQUEST
PRICE ON REQUEST
PRODUCTION TIME 12-14 WEEKS
ORIGINDESIGNED IN SWITZERLAND, HANDCRAFTED IN ITALY
COLLECTION
KLIRONOMIA
YEAR 2024
DIMENSIONSHEIGHT: 65 CM / 25.6 IN
WIDTH: 125 CM / 49.2 IN
DEPTH: 62 CM / 24.4 IN
SEATING HEIGHT: 30 CM / 11.8 IN
FABRICSHOWN IN VELVET
FURTHER INFORMATION
CUSTOM SIZE OR FABRIC ON REQUEST
PRICE ON REQUEST
PRODUCTION TIME 12-14 WEEKS
ORIGINDESIGNED IN SWITZERLAND, HANDCRAFTED IN ITALY
A STUDY IN CONTRASTS, JOHAN CHALLENGES THE BOUNDARY BETWEEN STILLNESS AND MOVEMENT, DRAWING INSPIRATION FROM ARCHITECTURAL THEORY AND SCULPTURAL FORM, PARTICULARLY THE CONCEPT OF “STATIC MOTION.” THIS PARADOXICAL IDEA BECAME THE DRIVING FORCE BEHIND THE DESIGN. JOHAN CHALLENGES OUR PERCEPTION AND INVITES CONTEMPLATION ON HOW STILLNESS CAN EVOKE DYNAMISM.
THROUGH CAREFUL STUDY OF ARCHITECTURAL MASTERPIECES, INCLUDING THE WORKS OF LE CORBUSIER AND VALERIO OLGIATI, THEODORE DISTILLED THE ESSENCE OF STATIC MOTION INTO A FORM THAT IS BOTH SIMPLE AND RADICAL. THE CHAIR’S LINES AND ANGLES ARE METICULOUSLY CALCULATED TO CREATE A SENSE OF MOVEMENT, EVEN AS IT REMAINS FIRMLY GROUNDED. ITS SHAPE IS AT ONCE COMMANDING AND FLUID, ACHIEVING A BALANCE BETWEEN STRENGTH AND GRACE.
THE ARMCHAIR’S PRESENCE IS CAPTIVATING, WHETHER IT STANDS ALONE AS A STATEMENT PIECE OR IN A SERIES, WHERE THE REPETITION OF ITS FORM AMPLIFIES THE SENSATION OF MOTION.